主演：拉斐尔·佩尔索纳 ·
导演：萨菲·奈布
简介：出于对自由的巴望，泰迪决议远离喧嚣的世界，独自一人在贝加尔湖冰封湖畔的小屋假寓。一天夜里，他在暴风雪中迷掉了标的目的，被在西伯利亚丛林中躲藏多年的俄罗斯逃亡者阿列克谢所救。在这两个截然不同的人之间，一段友情突如其来却真实地降生了。
主演：尼克·奥弗曼 拉什达·琼斯 保罗·吉亚玛提 弗卢拉·博格 史蒂芬·克雷默·格利克曼 多米尼克·皮侬 维尔日妮·埃菲拉 艾迪·斯皮尔斯 拉斐尔·佩尔索纳 大卫·博特 汤姆·莫顿
导演：亚历山大·埃斯皮加雷斯
简介：按照杰克·伦敦的著名小说《白牙》改编，为其作品《野性的呼喊》姐妹篇这部小说初次出版至今，已成为翻译跨越89种语言的畅销书。这部影片由奥斯卡最佳动画短片导演亚历山年夜·埃斯皮加雷斯执导，讲述了一只叫白牙的狼降生于荒野世界中，年少所见的是弱肉强食的世界。后来，母狼带着它一路 从荒野回到印第安主人身边，成为了一只雪橇犬，然而短暂的安静糊口之后，印第安主人因经济压力被迫将白牙卖给了诡计多端的史姑娘。在史姑娘的凌虐和监控下，他成为了一只凶狠的斗狼。经历了一段几近亡命的斗狼生活生计后，新主人斯考特救了它。斯考特仁慈的爱使得白牙逐渐 从凶残的野兽改变成为忠厚的宠物，并从坏人手中成功救下了斯考特一家。
主演：丹尼尔·奥图 拉斐尔·佩尔索纳 让-皮埃尔·达鲁山 维克图瓦 贝拉泽 玛丽-安妮·查泽尔
导演：丹尼尔·奥图
简介：【暂无中文介绍】Who does not know the trilogy of Marcel Pagnol? Who does not know Marius and Fanny as well the novels as movie of the same author for Marius and d Allégret for Fanny? In a decadent time, full of movies of free violence, full of empty movies, a space which expresses the vain character of our century, the support on sure values is also on the agenda because it establishes an existential relief and a good recommendation for our culture. Daniel Auteuil, a Big actor of the French cinema is the director of a proofreading of Marcel Pagnol, a success of the French cinema. He thus made two movies Marius and Fanny, two masterpieces. These new versions reach the level of the movie of Pagnol and overtake well the movie of Allégret while respecting character of these novels. Fanny is clearly better than Marius. We feel an evolution at the actors who reaches the excellence. We here is thus in Marseille of between two wars a city which has its charm and heroes who have a simple and often pure character. The dialogs are dense but thanks to their simplicity are accessible to everybody; nevertheless the level is raised brought up well and their contents carry solid values, even if sometimes they seem to us outmoded. In the fact which is happier? The man of our days or the person who corresponds to the characters of Marcel Pagnol? This is not a part of our critic, but the movie can remind us these questions. All the actors very well played in this movie, but we have to underline the presence of Daniel Auteuil and Jean-Pierre Daroussin who understood well the universe of Pagnol. A small defect: in spite of the efforts, even if the actors knew how to speak with the accent of Provence, is missing the intonation or the prosody to speak it. It is about a way of speaking melodious such as we find in Marcel"s movie with beautiful images. The movie Marius constitutes a new proofreading of this work which corresponds to all that the warned spectator or not can expect from this work. Even if the proofreading of an older masterpiece is difficult, this realization is made a success well; because Daniel Auteuil respects Pagnol by recognizing his genius and he also respects his spectators================================================================= L’histoire de MARIUS se déroule sur le Vieux-Port de Marseille, dans le Bar de la Marine tenu par César et son fils Marius. Marius ne rêve que d’embarquer sur un des bateaux qui passent devant le bar et prendre le large vers les pays lointains. Fanny, jeune et jolie marchande de coquillages sur le devant du bar, aime secrètement Marius depuis l’enfance ; Marius, sans l’avouer, a toujours aimé Fanny. Pour retenir Marius, pressenti pour un engagement sur un navire d’exploration, Fanny lui dévoile son amour pour lui et parvient à attiser sa jalousie en provoquant une vive dispute entre Marius et un vieil ami de César, le ma?tre-voilier Panisse, qui, beaucoup plus agé, courtise Fanny. Partagé entre l’appel de la mer et son amour pour Fanny, Marius renonce à son projet et finit par s’unir à Fanny qui s’offre à lui. Mais, alors que César et Honorine, la mère de Fanny, sont prêts à les marier, Marius est repris par sa folie de la mer. Poussé par Fanny qui se sacrifie par amour pour Marius, ce dernier monte à bord du navire qui part, abandonnant Fanny bouleversée, qui retient ses larmes et cache à César le départ de son fils.
主演：丹尼尔·奥图 维克图瓦 贝拉泽 让-皮埃尔·达鲁山 拉斐尔·佩尔索纳 玛丽-安妮·查泽尔
导演：丹尼尔·奥图
简介：老版介绍：帕格诺尔马赛三部曲的第二部，前一部是《马里乌斯》（Marius），最后一部是《塞萨尔》（Cesar）本集中芬尼怀了马里乌斯的孩子，但马里乌斯却选择了出海航行。芬尼无奈中跟年数比她年夜很多但心地善良的帕尼斯成婚。帕尼斯是马里乌斯之父塞萨尔的伴侣，而塞萨尔也出来开导芬尼，并当了孙子的“教父”。可是后来马里乌斯却回来了。 【新版暂无中文简介】 Who does not know the trilogy of Marcel Pagnol? Who does not know Marius and Fanny as well the novels as movie of the same author for Marius and d Allégret for Fanny? In a decadent time, full of movies of free violence, full of empty movies, a space which expresses the vain character of our century, the support on sure values is also on the agenda because it establishes an existential relief and a good recommendation for our culture. Daniel Auteuil, a Big actor of the French cinema is the director of a proofreading of Marcel Pagnol, a success of the French cinema. He thus made two movies Marius and Fanny, two masterpieces. These new versions reach the level of the movie of Pagnol and overtake well the movie of Allégret while respecting character of these novels. Fanny is clearly better than Marius. We feel an evolution at the actors who reaches the excellence. We here is thus in Marseille of between two wars a city which has its charm and heroes who have a simple and often pure character. The dialogs are dense but thanks to their simplicity are accessible to everybody; nevertheless the level is raised brought up well and their contents carry solid values, even if sometimes they seem to us outmoded. In the fact which is happier? The man of our days or the person who corresponds to the characters of Marcel Pagnol? This is not a part of our critic, but the movie can remind us these questions. As we mentioned all the actors are excellent, but we have to distinguish Daniel Auteuil and Jean-Pierre Daroussin who understood well the universe of Pagnol and who they reach the level of the perfection. Also, if in Marius we feel a defect concerning the prosody of the accent of Provence it is corrected well in this movie. The images are beautiful and their colors redraw the style of Marseille of this time. Besides, in this work, they exceed clearly those of Marius. Movies Marius and Fanny establishes a new proofreading of this work which corresponds to all that the warned spectator or not can expect from this for work. If Marius is a beautiful realization of the French cinema, Fanny is appreciably better. It is about two references of the French-speaking cinema, because Daniel Auteuil respects Pagnol by recognizing his genius and he also respects his spectators.=============================================================== Fanny, amoureuse et abandonnée, apprend qu’elle attend un enfant de Marius. Elle se retrouve en position dramatique de mère-fille, incapable d’assurer son propre avenir et celui de son enfant. Elle accepte alors, avec l’approbation de sa mère et du grand-père de son enfant, César, de se marier avec un commer?ant prospère du Vieux-Port, Honoré Panisse ; celui-ci est agé de trente ans de plus qu’elle. Il reconna?t son enfant et l’élève comme le sien ; Panisse leur apporte une prospérité certaine, une honorabilité sociale retrouvée et un avenir confortable. Quelques mois après le mariage et la naissance du bébé, Marius, prenant conscience de son amour pour Fanny durant son voyage lointain, mais qui n’a pas de situation sérieuse, revient et cherche à reconquérir Fanny, toujours amoureuse de lui et à reprendre son enfant.
主演：罗曼·杜里斯 阿娜伊丝·德穆斯捷 拉斐尔·佩尔索纳 伊希尔·勒·贝斯柯 奥萝尔·克莱芒
导演：弗朗索瓦·欧容
简介：克莱儿(阿奈丝·德穆斯捷 Ana?s Demoustier 饰)与罗拉（伊希尔·勒·贝斯柯 Isild Le Besco 饰）从7岁起就是要好伴侣，这对闺蜜分享成长过程中所有的甜酸苦痛，然而罗拉在生完女 儿露西后就因病逝世，留下哀伤的丈夫戴维(罗曼·杜里斯 Romain Duris 饰)独自扶养女儿身为教母的克莱儿决心遵守对罗拉的承诺，好好赐顾帮衬戴维和露西，但本身却陷在好友离去的暗影中，难以平复。 某日她鼓起勇气去看望戴维，却惊见对方戴上假发、一身女装，花枝招展的给婴儿喂奶。本来戴维一直都有变装癖好——克莱儿从起头发现时的震撼，改变为协助隐瞒，甚至鼓舞勉励对方穿上女装和她外出购物，这让她隐约找回了罗拉相处时的姐妹交谊。然而为了维持这段特殊关系，克莱儿需要对本身的丈夫吉尔（拉斐尔·佩尔索纳 Rapha?l Personnaz 饰）不断撒谎，终于陷入由友情、爱情、偷情交叉的欲望迷宫无法自拔…... 本片是法国鬼才导演弗朗索瓦·欧容的最新作品，改编自同名畅销犯罪小说。 ?豆瓣
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